My printmaking work is deeply inspired by the patterns, structures, and forms found in natural science, balancing the precision of scientific illustration with the expressive potential of printmaking. I explore the dynamic contrast between hyper-detailed realism and abstraction, using both to reveal the intricate beauty of the natural world.
Through my hyper-detailed works, I meticulously render botanical, anatomical, and ecological subjects, capturing their complexity with scientific accuracy. These pieces act as both artistic expressions and educational tools, honoring the structure and function of life forms through fine detail and careful observation.
My process is rooted in traditional printmaking techniques, including copper plate etching, woodcutting, and the Edinburgh Etch process. The use of Ebru ink allows me to introduce an element of fluid abstraction, mirroring the organic movement of natural patterns. The inherent unpredictability of these materials and methods reflects the delicate balance between structure and spontaneity in nature.
By integrating scientific precision with expressive abstraction, my work seeks to engage viewers in a deeper dialogue about the interconnectedness of life, the unseen structures that shape our world, and the balance between order and chaos in both art and nature.
